Group Show Catalogues ~ 2000-2011
2011
Off the Wall. Porto (Portugal): Fundação de Serralves, [2011], pp. XXI-XXIII, XL-XLII, illus. pp. 42-43, 44, 45, 46, 47. Includes conversation between Chrissie Iles and João Fernandes.
De la revuelta a la posmodernidad (1962-1982). Madrid: Museo Nacional Centro de Arte Reina Sofía, 2011, pp. 173, 175. Includes texts by Alexander Alberro, Manuel J. Borja-Villel, Jesús Carrillo, Jean-François Chevrier, Lynne Cooke, José Díaz Cuyás, Fernando Davis, Isabel Tejeda, and Víctor Del Rio.
Witkovsky, Matt, editor. Light Years: Conceptual Art and the Photograph 1964-1977. Chicago: The Art Institute of Chicago; New Haven and London: Yale University Press, 2011, pp. 18, 58, 59, 60, 93, 96, 132-144 illus. pp.10, 45, 72-73, 100-101. Includes texts by Mark Godfrey, Robin Kelsey, Anne Rorimer, Allen Ruppersberg, Giuliano Sergio, Joshua Shannon, and Matt Witkovsky.
Mark, Lisa Gabrielle and Paul Schimmel. Under the Big Black Sun: California Art 1974-1981. Los Angeles: Museum of Contemporary Art, Los Angeles; Munich, London, New York: Prestel, 2011, pp. 19, 45, 47, 48, 64, 65-66, 69, 71, 81, 274-281, illus. pp. 112-113. Includes texts by Frances, Colpitt, Thomas Crow, Charles Desmarais, Peter Frank, Paul Schimmel, Rebecca Solnit, Kristine Stiles.
Lewallen, Constance M. and Karen Moss. State of Mind: New California Art Circa 1970. Berkelely (California) and Los Angeles: University of California Press, 2011, pp. 2, 3, 9, 11, 14, 99, 100, 103, 109, 115, 116 157, 162, 189, 192, 225, 229, 254, illus. pp. ii-iii, 103, 180-181,
Proof: The Rise of Printmaking in Southern California. Los Angeles: Getty Publications; Norton Simon Museum, 2011, pp. 45-46, 50, 115, 149-150, 162, 181. Includes texts by David Acton, Jennifer Anderson, Karin Breuer, Cynthia Burlington, Leah Lehmbeck, Tom Norris and Damon Willick.
Peabody, Rebecca, and Andrew Perchuk, Glenn Phillips and Rani Singh, editors. Pacific Standard Time : Los Angeles Art, 1945-1980. Los Angeles: Getty Research Institute and the J. Paul Getty Museum, 2011, pp. 145, 175, 176-177, 179-180, 209, 238-240, 245-247, 251, 273, 289, 291-292.
So machen wir es: Techniken und Ästhetik der Aneignung Von Ei Arkawa bis Andy Warhol. Bregenz (Germany): Kunsthaus Bregenz; New York: D.A.P. Distributed Art Publishers, Inc., 2011, pp. 8, 9, 73, 74-80. Includes text by Christina Vegh.
McGrew, Rebecca, and Glenn Phillips, eds. It Happened at Pomona: Art at the Edge of Los Angeles 1969 – 1973. Claremont, CA: Pomona College Museum of Art, 2011, pp. 49, 50, 54, 63, 64, 68, 70, 163, 169, 183-184, 210, 232, 321, 329, 335, 349, illus. pp. 182, 185. Includes texts by Thomas Crow, Carrie Dedon, Hal Glicksman, Julie Joyce, Rochelle LeGrandsawyer, Rebecca McGrew, David Pagel, Glenn Phillips, Marie B. Shurkus, Helene Winer.
Homem, Antonio and Philip Rylands. Ileana Sonnabend. Un ritratto italiano. Venice: Peggy Guggenheim Collection, 2011, pp. 14, 80, illus. 81, 82-83. Includes texts by Germano Celant, Mario Codognato, Achille Bonito Oliva, and Philip Rylands.
The Shape of Things to Come: New Sculpture. London: Saatchi Gallery, 2011, pp. 3, 110, illus. pp. 10-11. Includes text by Lupe Núñez-Fernández.
Through the Looking Brain. Ostfildern (Germany): Hatje Cantz Verlag, 2011, pp. 20, 21, 24, 26, 27, 30, 31, 198, 199, illus. pp. 63, 65.
Historias de la vida material: Stories of Material Life. Cáceres (Spain): Centro de Artes Visuales Fundación Helga de Alvear, [2011], pp. 18, 28, 94-99, 246-247, 285-286. Includes text by Delfim Sardo.
Miller, Dana, ed. Legacy: The Emily Fisher Landau Collection. New York: Whitney Museum of American Art, 2011, pp. 7, 23, 44, 303, 304, illus. pp. 45, 46-47, 48, 49. Includes texts by Donna De Salvo and Joseph Giovannini.
2010
How Soon Now. Miami: Rubell Family Collection Contemporary Arts Foundation, 2010, pp. 16,17, 106. Includes texts by Michael Darling, Heidi Zuckerman Jacobson, René Morales, Ali Subotnick, and Catherine Taft.
Bischoff, Ulrich, and Moritz Woelk, eds. Das neue Albertinum: Kunst von der Romantik bis zur Gegenwart. Berlin: Deutscher Kunstverlag; Dresden: Staatliche Kunstsammlungen Dresden, 2010, p. 32. Includes texts by Ulrich Bischoff and Moritz Woelk. Catalog for “Das versprochene Land” exhibition.
Pfeffer, Susanne, ed. For the Use of Those Who See. Cologne: Snoeck Verlagsgesellschaft mbH, 2010. Includes text by Susanne Pfeffer, Lambert Wiesing and Antonia Wunderlich.
On The Road. San Antonio, TX: Artpace San Antonio, 2010. Includes text by Mathew Drutt and Jens Hoffmann.
Márgenes de silencio; Margins of Silence: Colección Helga de Alvear. Cáceres (Spain): Centro de Artes Visuales Fundación Helga de Alvear, [2010]. Includes text by José María Viñuela.
Arbeit / Labour: Set 7 aus der Sammlung des Fotomuseum Winterthur. Winterthur, (Switzerland): Fotomuseum Winterthur, 2011, illus. p. 10. Includes text by Thomas Steinfeld.
The Black Page. [Coxwold, United Kingdom: Shandy Hall, Laurence Sterne Trust, 2010].
IVAM / Donaciones. Valencia (Spain): IVAM, Instituto Valenciano de Arte Moderno, 2010, pp. 10, 16, 35, 394, 397, 405-406, 418, 421, 426, illus. pp. 71, 72, 73, 74. Includes texts by David Anfam, Consuelo Císcar Casabán, Fernando Castro Flórez, William Jeffett, Fumio Nanjo, Tomás Llorens Serra and Boye Llorens Peters, and Jeremy Strick.
Calder to Warhol: Introducing the Fisher Collection. San Francisco: San Francisco Museum of Modern Art, 2010, illus. p. 109.
Throwing Three Balls in the Air to Get a Straight Line. Malmö (Sweden): Malmö Konsthall, 2010, pp. 7, 8, 13, 18, 22-25. Includes essays by Dorothea Jendricke and Simon Baier.
Where Do We Go From Here? 0910: Selections from La Colección Jumex. Ecatepec (Mexico): Fundación/Colección Jumex, 2009, pp. 127-128.
2009
Pete and Repeat: Works from the Zabludowicz Collection. London: 176 / Zabludowicz Collection, 2009, p. 9 , illus. pp. 34-35.
Beg Borrow and Steal. Miami: Rubell Family Collection Contemporary Arts Foundation, 2009, p. 17, illus. pp. 25, 26-27, 28, 29. Includes texts by Karl Haendel, Thomas Houseago, David Moos, and Heidi Zuckerman Jacobson.
Art | Basel | Miami Beach | 3-6 | Dec | 2009. Ostfildern (Germany): Hatje Cantz Verlag, 2009, p. 376, illus. pp. 337, 377.
The Los Angeles Printmaking Society 20th National Exhibition. Los Angeles: Los Angeles Printmaking Society, 2009, p. 26.
See This Sound: Versprechungen von bild und ton. Cologne: Verlag der Buchhandlung Walther König, 2009, pp. 90, 126, 230 illus. pp. 91,
Rattemeyer, Christian. Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection. New York: Museum of Modern Art, 2009, illus. p. 101.
200 Artworks - 25 Years: Artists’ Editions for Parkett. Zurich: Parkett Publishers, 2009, pp. 28, 74, 76, 468, illus. pp 75, 77. Includes texts by Susan Tallman and Deborah Wye. Catalog also serves as a catalogue raissonné for Parkett Artists’ Editions.
The Making of Art. Cologne: Verlag der Buchhandlung Walther König, 2009, pp. 11-12, illus. pp. 10, 13. Includes text by Amanda Coulson, Wolfgang Ullrich, and Martina Weinhart.
Obrist, Hans Ulrich and Olafur Eliasson. Experiment Marathon. Reykjavik: Reykjavik Art Museum; London: Koenig Books, 2009, p. 58, 71, 135.
Beaufort03. Ghent, Belgium: Borgerhoff & Lamberigts, 2009, pp. 38, 62, 118, 214, 230, illus. pp. 63, 119, 231. Includes texts by Phillip van den Bossche and Luk Lambrecht.
Darling, Michael, editor. Target Practice: Painting Under Attack 1949-78. Seattle: Seattle Art Museum, 2009, pp. 45-47, 53, illus. pp. 46, 54. Includes text by Graham Bader, Michael Darling, Elizabeth Mangini, and Mika Yoshitake.
1968: Die Große Unschuld. Cologne: DuMont Buchverlag, 2009, pp. 244, 273-274, 500, 541, illus. p. 272. Includes texts by Matthias Albrecht, Roman Grabner, Christiane Heuwinkel, Thomas Kellein, Tania Müller, Daniel Neugebauer and Felicitas von Richthofen.
Eklund, Douglas. The Pictures Generation, 1974-1984. New York: Metropolitan Museum of Art, 2009, pp. 22-25, 26, 27, 28, 29, 38 40-41, 42, 54, 91, 96, 100.
Serralves 2009: The Collection: Images. Porto (Portugal): Fundação de Serralves, 2009, illus. pp. 226, 237. Includes texts by João Fernandes, António Gomes de Pinho, and Ulrich Loock.
Respina, Eva. Into the Sunset: Photography’s Image of the American West. New York: Museum of Modern Art, 2009, p. 27, illus. p. 135.
Seelig, Thomas, editor. Printed Matter: Set 6 aus der Sammlung des Fotomuseum Winterthur. Winterthur (Switzerland): Fotomuseum Winterthur, 2009. Includes text by Florian Ebner.
“La invención de lo cotidiano.” Mexico, D.F.: Museo Nacional de Arte; Ecatepec (Mexico): Fundación/Colección Jumex, 2009, pp. 58, 292, 309, illus. pp. 258, 274. Includes texts by Roger Bartra, Frédéric Bonnet, Peter Burke, and James Oles.
2008
An Unruly History of the Readymade: Sixth Reading of La Colección Jumex. Ecatepec (Mexico): Fundación/Colección Jumex, [2008], pp. 17, 25, 63, 67, 90, 94-95. Includes essays by Jessica Morgan, Mark Godfrey, Bettina Funke, and Cuauhtémoc Medina.
Wall Rockets. New York: Flag Art Foundation, 2008. Includes text by Lisa Dennison and James Frey.
BESart: Banco Espírito Santo Collection: The Present: An Infinite Dimension. Lisbon: Museu Colecção Berardo, 2008, pp. 54, 371, illus. pp. 55-57. Includes texts by Lorena Martínez de Corral and María de Corral, and Delfin Sardo.
Frieling, Rudolf. The Art of Participation: 1950 to Now. San Francisco: San Francisco Museum of Modern Art, in association with Thames & Hudson, New York and London, 2008, p. 120, illus. p. 121. Includes texts by Robert Atkins, Rudolf Frieling, Boris Groys, Lev Manovich.
Oetker, Brigitte, Christiane Schneider, and Barbara Steiner, editors. Aus der Sammlung von Arend und Brigitte Oetker. Cologne: Verlag Der Buchhandlung Walther König, 2008, pp. 138-139, 141, illus. pp. 20-21, 136-137, 138, 139, 140, 141. Catalog for the exhibition “Carte Blanche III: ‘Gedichte der Fakten’ – Arbeiten aus der Sammlung Arend und Brigitte Oetker” at the Galerie für Zeitgenössische Kunst Leipzig.
Emphasis: Santa Monica. Santa Monica, CA: Pete & Susan Barrett Art Gallery, 2008, p. 10.
Through You: Photography Selections from the Martin Z. Margulies Collection. Philadelphia, PA: University of Pennsylvania, 2008, p. 15, illus. cover.
For Sale. Lisbon: Cristina Guerra, 2008, pp. 21, 92, illus. p. 93. Includes text by Jens Hoffmann.
Glenstone: The Inaugural Exhibition. Potomac, MD: Glenstone Foundation, 2008, illus. pp. 52, 53-54, 55-56. Includes text by Yve-Alain Bois.
Kavalierstart: 1978 – 1982: Aufbruch in die Kunst der 80er. Cologne: DuMont Buchverlag, 2008, pp, 14-15, 17, 26, 30, 38, illus. pp. 54, 55. Includes text by Stefanie Kruezer, Kassandra Nakas, and Noemi Smolik.
Seelig, Thomas, ed. Jedermann Collection: Set 5 aus der Sammlung des Fotomuseum Winterthur. Winterthur (Switzerland): Fotomuseum Winterthur, 2008. Includes text by Thomas Seelig.
Phillips, Glenn, editor. California Video: Artists and Histories. Los Angeles: Getty Research Institute, J. Paul Getty Museum, 2008, pp. 4, 18, 20, 34-37, 126, 155, 204, 205, 214, 240, 243, 244, 280, illus. pp. 34-37. Includes texts by Meg Cranston, Kathy Rae Huffman, Rita Gonzalez, Robert R. Riley, Steve Seid, and Bruce Yonemoto.
Temkin, Ann. Color Chart: Reinventing Color, 1950 to Today. New York: Museum of Modern Art, 2008, pp. 168-169, illus. pp. 170-171. Includes texts by Briony Fer, Melissa Ho, Nora Lawrence and Ann Temkin.
Huldisch, Henriette, and Shamin M. Momin. 2008 Biennial Exhibition. New York: Whitney Museum of American Art, 2008, pp. 98-99. Includes texts by Henriette Huldisch, Shamin M. Momin, and Rebecca Solnit.
Art Is for the Spirit: Works from the UBS Art Collection. Tokyo: Mori Art Museum, 2008, pp. 66, 200, 247, 263, illus. pp. 67, 201. Includes texts by Joanne Bernstein, Mami Kataoka, and Pi Li.
2007
Scenes and Sequences: Peter Blum Edition, New York: Eine Auswahl von 1980 bis 2006. Aarau (Switzerland): Aargauer Kunsthaus, 2007, pp. 11, 14, 33-34, 42, illus. pp. 43-47. Includes texts by Jean-Christophe Ammann, Peter Blum, Barry Walker, and Beat Wismer.
Art for Yale: Collecting for a New Century. New Haven, CT: Yale University Art Gallery, 2007, p. 23, illus. p. 312. Includes text by Jock Reynolds.
Sounding the Subject: Video Trajectories: Selections from the Pamela and Richard Kramlich Collection and the New Art Trust. Cambridge, MA: MIT List Visual Arts Center, 2007, pp. 26-27, 54, illus. p. 55. Exhibition catalog for two exhibitions ("Sounding the Subject" and "Video Trajectories;" JB work included only in "Video Trajectories)." Includes texts by Daniel Birnbaum, Caroline A. Jones, and Mechtild Widrich.
Davidson, Susan, editor. Art in the USA: 300 años de innovación. Bilbao (Spain): Guggenheim Bilbao, 2007, pp. 238-239.
Hoffmann, Jens and Christina Kennedy, editors. The Studio. Dublin: Dublin City Gallery The Hugh Lane, 2007, pp. 12, 25, 27, 52-53, 110, 120, illus. p. 52. Includes essays by Jens Hoffman and Christina Kennedy.
Pepe Cobo Y Sus Máquinas. Zaragoza (Spain): Diputación de Zaragoza, Palacio de Sástago, 2007, pp. 18, 22, illus. pp. 66-67. Includes texts by José Antonio Chacón Álvarez, J. Félix Machuca, Javier Lambán Mantañés, and Guillermo Paneque.
Stella Art Foundation and Sigmund Freud Foundation present: The Contemporary Art Collection of the Sigmund Freud Museum, Vienna in Moscow. Moscow: Stella Kay, 2007, pp. 2, 8, illus p. 9. Includes texts by Stella Kay, Boris Manner, Peter Pakesch, Susan Schwarz, and Inge Scholz-Strasser.
Tunnicliffe, Wayne, editor. An Incomplete World: Works from the UBS Art Collection. Sydney (Australia): Art Gallery of New South Wales; Melbourne (Australia): National Gallery of Victoria, 2007, pp. 30- 33, 171, illus. p. 33. Includes essays by Jason Smith and Wayne Tunnicliffe.
2006
LeWitt x2, Sol LeWitt: Structure and Line: Selections from the LeWitt Collection. Madison, WI: Madison Museum of Contemporary Art, 2006, p. 41. Includes texts by Martin Friedman and Dean Swanson.
Schreyach, Michael, editor. Sixteen Tons. Los Angeles: Regents of the University of California, 2006, pp. 8-11.
Six Feet Under: Autopsie unseres Umgangas mit Toten / Autopsy of Our Relation to the Dead. Leipzig/Bielefeld (Germany): Kunstmuseum Bern and Kerber Verlag, 2006. Includes texts by Elisabeth Bronfen, Bernhard Fibicher, Matthias Frehner, Susanne Friedli, Helga Lutz, Thomas Macho, Hans Christoph von Tavel, and Regula Tschumi.
Public Space / Two Audiences: works and documents from the Herbert Collection: inventaire. Barcelona (Spain): Museu d’Art Contemporani de Barcelona; Graz (Austria): Kunsthaus Graz, 2006, pp. 84-89, illus. pp. 85-89. Includes essays by Manuel J. Bora-Villel, Diedrich Diedrichsen, Anton Herbert, Hans-Joachim Müller, Peter Pakesh, and Anne Rorimer.
Magritte and Contemporary Art: The Treachery of Images. Ghent (Belgium): Ludion; Los Angeles: Los Angeles County Museum of Art, 2006, pp. 12, 208-211, 243.
Wolfe, Ann M. Suburban Escape: The Art of California Sprawl. Santa Fe, NM: Center for American Places; San Jose, CA: San Jose Museum of Art, 2006, p. 21, illus. p. 24. Includes text by Lucy R. Lippard.
Newland, Joseph N., editor. The Skowhegan School of Painting and Sculpture: 60 Years. Waterville, ME: Colby College Museum of Art, 2006, pp. 62-63.
Bowman, Rob and Jens Hoffmann, editors. Surprise, Surprise. London: Institute of Contemporary Arts, 2006.
Walker, Barry. Singular Multiples: The Peter Blum Edition Archive, 1980–1994. Houston: Museum of Fine Arts, Houston; New Haven: Yale University Press, 2006.
Joy Pop! Pop Art 1960’s-2000s: From Lichtenstein, Warhol to the Current Generation. Tokyo: Sieji Togo Memorial Sompo Japan Museum of Art, 2006, p. 28.
Broken Surface. Munich: Sabine Knust Mattias Kunz Editions, pp. 8-9. Includes texts by Zdenek Felix.
Grenier, Catherine, editor. Los Angeles 1955-1985: Birth of an Art Capital. Paris: Centre Pompidou, Panamamusees, 2006, pp. 14, 26, 27, 39-40, 81, 90, 125, 209, 219, 238, 277, 283, 294, 306, 325, 338, 355, 365, 370, illus. 123, 182, 183, 206, 213, 228, 246-247, 267, 272-273, 315, 331, 353, 366-367. Includes texts by Howard N. Fox, Catherine Grenier, and David E. James.
Freud and Contemporary Art: The Collection of the Sigmund Freud Museum Vienna. New York: Austrian Cultural Forum New York, 2006, pp. 3, 4, 10, illus. pp. 11, 44. Includes texts by Peter Pakesch and Inge Scholz-Strasser.
2005
Hablando Con Las Manos: Fotografías De La Colección Buhl, Essays by Jennifer Blessing and Ralph Rugoff, Solomon R. Guggenheim Foundation New York, and Guggenheim Bilbao Museoa, Pp. 146 — 147, 2005
The Blake Byrne Collection, July 3 — October 10, 2005, Interview with Blake Byrn with Ann Goldstein and Paul Schimmel PP 8 - 15, and text by Michael Darling PP 16 — 25. The Museum of Contemporary Art, Los Angeles, 2005, illus. 16, 29
Los Angeles Printmaking Society 18th National Exhibition, Armory center for the Arts, Two Hands Press, Woddlandhills, CA. Castle Press, Pasadena, CA, 2005, Pp. 5-6
Drawing from the Modern 1975 - 2005, September 14, 2005 — January 9, 2006, Museum of Modern Art, New York, NY, Published by the Museum of Modern Art, 2005, illus. P.27
Open Systems: Rethinking Art c. 1970, June 1 — August 29, 2005, Edited by Donna De Salvo, with Contributions by Johanna Burton, Makr Godfrey, and Boris Groys, Tate Modern, London, 2005 illus. Pp. 45, 70 - 71, 105, 142 - 145.
Daumen Kino, The flip Book Show, May 7 — July 17, 2005, Kunsthalle Dusseldorf, Germany, illus. 57, 139
Logical Conclusions: 40 Years of Rule-Based Art, February 18 — March 26, 2005, PaceWildenstein, New York, Texts by Marc Glimcher. PP 86-89, 168, 182, illus. 87, 89.
A Walk to Remember, Los Angeles Contemporary Exhibitions, February 9 — May 8, 2005, Curated /Published by Jens Hoffman, 2005 Pp. 14 — 15, 34 — 35.
2004
The Eclectic Eye: Selections from the Frederick R. Weisman Art Foundation, With essays by Rosalind Bickel, Richard Koshalek, David S. Rubin, Kimberly M. Stammer and Billie Milam Weisman, Frederick R. Weisman Philanthropic Foundation, 2004, PP 34-35, illus. 35.
Beyond Geometry: Experiments in Form, 1940s — 70s. Los Angeles County Museum of Art, Los Angeles, CA, and The MIT Press, Cambridge MA, 2004. P 216, illus. 176.
What’s Modern?, November 5 — December 18, 2004, Gagosian Gallery, New York, NY, published by Gagosian Gellery, 2004, Pp. 60 — 61.
American Artists’ Books in Europe, 1960 — 2000, Musee d’Art Americain Giverny, Giverny, France / Terra Foundation for the Arts, 2004. PP 14-15, illus. 14.
Moss, Karen, ed. Topographies. With guest essays by Steve Dietz, Jeannene Przyblyski, and Noah Snyder. San Francisco Art Institute, 2004.
Groos, Ulrike; Hess, Barbara; Wevers, Ursula; ed., Ready to Shoot/Fernsehgalerie Gerry Schum/videogalerie schum, texts by Beatrice von Bismarck, Eric de Bruyn, Ulrike Groos, Charles Harrison, Barbara Hess, and Ursula Wevers, interview with Friedrich Wolfram Heubach, Kunsthalle Dusseldorf, 2004, English edition. PP. 236-237, illus. 237.
Singsen, Judith A., The RISD Museum, ed., On The Wall: Contemporary Wallpaper, texts by Marion Boulton Stroud and Judith Tannenbaum, Museum of Art, Rhode Island School of Design, Providence; The Fabric Workshop and Museum, Philadelphia, 2003, PP. 2, 4, 6, 11, 12, 26, 27, 44, 47, 50, 51, illus. 6, 11, 12, 51, front and back cover.
Behind the Facts. Interfunktionen 1968-1975, Joan Miro Foundation. Parc de Montjuic, Barcelona, Spain. February 19 — May 2, 2004.
QSL 107.1 FM, A temporary radio project and audio publication. Broadcast May 30-31 2004. Middlesbrough, Victoria Square. A project by Kelly Large hosted by Middlesbrough Institute of Modern Art (mima). Pp. 21. Includes compact disc.
2003
Ferris, Alison, ed. Disembodied Spirit. With essays by Tom Gunning, Pamela Thurschwell and Alison Ferris. Bowdoin College Museum of Art Brunswick, Maine. September 25 — December 7, 2003. Traveling to Kemper Museum of Contemporary Art, Kansas City, MO. March 5 - May 23, 2004 and to Austin Museum of Art, Austin, TX. September 11 — November 28, 2004
Through American Eyes: Two Centuries of American Art from the Huntington Museum of Art. Huntington Museum of Art, Huntington, West Virginia, 2003.
Imperfect Innocence: The Debra and Dennis Scholl Collection. Contemporary Museum, Baltimore, Maryland, 2003, illus. 44-45.
Coco Fusco and Brian Wallis, ed. Only Skin Deep: Changing Visions of the American Self. International Center of Photography. Published by Abrams, Inc.
De Jasper Johns a Jeff Koons: cuatro decadas de arte de las colecciones Broad. Guggenheim Bilbao, in collaboration with Henry N. Abrams, Inc., Publishers, 2003. This is Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collections, 2001, translated into Spanish. Texts by Thomas Crow, Joanne Heyler, Pepe Karmel, and Sabine Eckmann. Illus: pp 188-193; back cover.
2002
Biesenbach, Klaus, with Barbara London and Chistopher Eamon. Video Acts: Single Channel Works From the Collections of Pamela and Richard Kramlich and New Art Trust. P.S. 1 Contemporary Art Center, Long Island City, NY, 2002.
Comer o no Comer (To Eat or Not to Eat), Salamanca 2002, Centro de Arts de Salamanca, Spain, November 23, 2002 — January 19, 2003, Pp. 348, 349, 521 illus. 349.
Limits de la Percepcio. Fundacio Joan Miro, Barcelona, Spain, 2002, catalogue essay by Teresa Blanch, illustrations pp 28 — 33, back cover.
Conceptual Art in the Netherlands and Belgium 1965-1975. Stedelijk Museum Amsterdam, and Nai Publishers, Rotterdam, the Netherlands, 2002.
Smith, Elizabeth A.T., Alison Pearlman, and Julie Rodrigues Widholm. Life, Death, Love, Hate, Pleasure, Pain: Selected Works from the Museum of Contemporary Art, Chicago, Collection. Museum of Contemporary Art, Chicago, 2002. Pp 24, 178, 182, 198-199, 241, 320. Illus.: pp198-199.
Some Assembly Required: Collage Culture in Post-War America. Everson Museum of Art, Syracuse, NY, 2002. Illustration, p 66.
Sans Commune Mesure: Image et Texte dans l’Art Actuel. Editions Leo Scheer, Paris, France, 2002. Illustration: pp 74-75.
To Be Looked At: Painting and Sculpture from The Museum of Modern Art, New York. MoMA QNS, June 2002. Illustration, p. 108. Published on the occasion of an ongoing installation of works from the Museum’s collection in Long Island City, while the MoMA Manhattan location is being renovated.
A Show That Will Show That a Show is Not Only a Show. Edition Valerio, Paris/Berlin, and the Project, Los Angeles, 2002.
Visions from America: Photographs from the Whitney Museum of American Art, 1940-2001. Whitney Museum of American Art and Prestel Verlag (publishers), New York, 2002.
The Shock of September 11 and the Mystery of the Other: A Documentation. Haus am Lutzoqplatz and Lettre International, Berlin, Germany, 2002. John: p 189.
Museum Unserer Wunsche (Museum of Our Wishes). Edited by Kasper Konig, in collaboration with Thomas Weski and Ulrich Wilmes, Museum Ludwig, Koln, Germany, January 11 — April 28, 2002.
Pulchierrimae Strade: Contemporary Art in Historical Spaces. Edited by Gianni Salvaterra, texts by Gianni Salvaterra and Robert Rosenblum, Edizioni Charta, Milan, Italy, 2002.
2000
The First Decade: Video from the EAI Archives. Museum of Modern Art, New York, NY. February 26 — March 17, 2002.
Conception: Conceptual Documents 1968 to1972. Norwich Gallery, Norwich School of Art and Design, Norwich, England, and Article Press, Birmingham, England, in an edition of 1000. 2001.
Made in California: Art, Image, and Identity, 1900-2000. University of California Press, Los Angeles, CA, 2001, p 199. This was accompanied by a second volume, "Reading California: Art, Image, and Identity, 1900-2000."
Reading California: Art, Image, and Identity, 1900-2000. Edited by Stephanie Barron, Sheri Bernstein, and Ilene Susan Fort, University of California Press, Los Angeles, CA, 2001, pp 280-283. Anthology published on the occasion of "Made in California".
Landmarks: Sculpture Commissions for the Stuart Collection at the University of California San Diego. Rizzoli International Publications, Inc., New York, 2001.
Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collections. Los Angeles County Museum of Art, Los Angeles, CA, 2001.
24th International Biennial of Graphic Arts. Museum of Modern Art, Ljubljana, Slovenia, June 10 — September 16, 2001.
Noncomposition: Fifteen Case Studies. Wadsworth Athenaeum Museum of Art, Hartford, CT, December 22, 2001 — June 23, 2002.
Tele[visions]: Kunst Sieht Fern. Kunsthalle Wein, Wein, Austria, October 18, 2001 — January 6, 2002.
Extra Art: A Survey of Artists’ Ephemera, 1960-1999. California College of Arts and Crafts, San Francisco, CA. October 11 — December 8, 2001.
Peter Kneubuhler: Gut zum Druck. Helmhaus Zurich, Zurich, Switzerland, 2001.
Secession: Projekt Fassade. Texts by Matthias Herrmann, Isolde Charim, Eleonora Louis, Secession, die Kunstlerlnnen, Sutorinnen, Fotografen, Wein, Austria.
2000
Departures: 11 Artists at the Getty. Text by Lisa Lyons, The J. Paul Getty Museum, Los Angeles, CA, 2000.
Lynn Gamwell, ed. Dreams 1900-2000: Science, Art, and the Unconscious Mind. Texts by Lucy Daniels, Ernest Hartmann, Donald Kuspit. Cornell University Press, New York.
Quartett: August 1968 September 2000 Baldessari, Kabakov, Kosith, Pistoletto. Schwabe & Co. AG, and Verlag Basel Kunsthalle Basel, 2000. With texts by Peter Pakesch, John Baldessari, Ilya Kabakov, Joseph Kosuth and Michelangelo Pistoletto.
http://www.baldessari.org/catalogues_group.htm
Off the Wall. Porto (Portugal): Fundação de Serralves, [2011], pp. XXI-XXIII, XL-XLII, illus. pp. 42-43, 44, 45, 46, 47. Includes conversation between Chrissie Iles and João Fernandes.
De la revuelta a la posmodernidad (1962-1982). Madrid: Museo Nacional Centro de Arte Reina Sofía, 2011, pp. 173, 175. Includes texts by Alexander Alberro, Manuel J. Borja-Villel, Jesús Carrillo, Jean-François Chevrier, Lynne Cooke, José Díaz Cuyás, Fernando Davis, Isabel Tejeda, and Víctor Del Rio.
Witkovsky, Matt, editor. Light Years: Conceptual Art and the Photograph 1964-1977. Chicago: The Art Institute of Chicago; New Haven and London: Yale University Press, 2011, pp. 18, 58, 59, 60, 93, 96, 132-144 illus. pp.10, 45, 72-73, 100-101. Includes texts by Mark Godfrey, Robin Kelsey, Anne Rorimer, Allen Ruppersberg, Giuliano Sergio, Joshua Shannon, and Matt Witkovsky.
Mark, Lisa Gabrielle and Paul Schimmel. Under the Big Black Sun: California Art 1974-1981. Los Angeles: Museum of Contemporary Art, Los Angeles; Munich, London, New York: Prestel, 2011, pp. 19, 45, 47, 48, 64, 65-66, 69, 71, 81, 274-281, illus. pp. 112-113. Includes texts by Frances, Colpitt, Thomas Crow, Charles Desmarais, Peter Frank, Paul Schimmel, Rebecca Solnit, Kristine Stiles.
Lewallen, Constance M. and Karen Moss. State of Mind: New California Art Circa 1970. Berkelely (California) and Los Angeles: University of California Press, 2011, pp. 2, 3, 9, 11, 14, 99, 100, 103, 109, 115, 116 157, 162, 189, 192, 225, 229, 254, illus. pp. ii-iii, 103, 180-181,
Proof: The Rise of Printmaking in Southern California. Los Angeles: Getty Publications; Norton Simon Museum, 2011, pp. 45-46, 50, 115, 149-150, 162, 181. Includes texts by David Acton, Jennifer Anderson, Karin Breuer, Cynthia Burlington, Leah Lehmbeck, Tom Norris and Damon Willick.
Peabody, Rebecca, and Andrew Perchuk, Glenn Phillips and Rani Singh, editors. Pacific Standard Time : Los Angeles Art, 1945-1980. Los Angeles: Getty Research Institute and the J. Paul Getty Museum, 2011, pp. 145, 175, 176-177, 179-180, 209, 238-240, 245-247, 251, 273, 289, 291-292.
So machen wir es: Techniken und Ästhetik der Aneignung Von Ei Arkawa bis Andy Warhol. Bregenz (Germany): Kunsthaus Bregenz; New York: D.A.P. Distributed Art Publishers, Inc., 2011, pp. 8, 9, 73, 74-80. Includes text by Christina Vegh.
McGrew, Rebecca, and Glenn Phillips, eds. It Happened at Pomona: Art at the Edge of Los Angeles 1969 – 1973. Claremont, CA: Pomona College Museum of Art, 2011, pp. 49, 50, 54, 63, 64, 68, 70, 163, 169, 183-184, 210, 232, 321, 329, 335, 349, illus. pp. 182, 185. Includes texts by Thomas Crow, Carrie Dedon, Hal Glicksman, Julie Joyce, Rochelle LeGrandsawyer, Rebecca McGrew, David Pagel, Glenn Phillips, Marie B. Shurkus, Helene Winer.
Homem, Antonio and Philip Rylands. Ileana Sonnabend. Un ritratto italiano. Venice: Peggy Guggenheim Collection, 2011, pp. 14, 80, illus. 81, 82-83. Includes texts by Germano Celant, Mario Codognato, Achille Bonito Oliva, and Philip Rylands.
The Shape of Things to Come: New Sculpture. London: Saatchi Gallery, 2011, pp. 3, 110, illus. pp. 10-11. Includes text by Lupe Núñez-Fernández.
Through the Looking Brain. Ostfildern (Germany): Hatje Cantz Verlag, 2011, pp. 20, 21, 24, 26, 27, 30, 31, 198, 199, illus. pp. 63, 65.
Historias de la vida material: Stories of Material Life. Cáceres (Spain): Centro de Artes Visuales Fundación Helga de Alvear, [2011], pp. 18, 28, 94-99, 246-247, 285-286. Includes text by Delfim Sardo.
Miller, Dana, ed. Legacy: The Emily Fisher Landau Collection. New York: Whitney Museum of American Art, 2011, pp. 7, 23, 44, 303, 304, illus. pp. 45, 46-47, 48, 49. Includes texts by Donna De Salvo and Joseph Giovannini.
2010
How Soon Now. Miami: Rubell Family Collection Contemporary Arts Foundation, 2010, pp. 16,17, 106. Includes texts by Michael Darling, Heidi Zuckerman Jacobson, René Morales, Ali Subotnick, and Catherine Taft.
Bischoff, Ulrich, and Moritz Woelk, eds. Das neue Albertinum: Kunst von der Romantik bis zur Gegenwart. Berlin: Deutscher Kunstverlag; Dresden: Staatliche Kunstsammlungen Dresden, 2010, p. 32. Includes texts by Ulrich Bischoff and Moritz Woelk. Catalog for “Das versprochene Land” exhibition.
Pfeffer, Susanne, ed. For the Use of Those Who See. Cologne: Snoeck Verlagsgesellschaft mbH, 2010. Includes text by Susanne Pfeffer, Lambert Wiesing and Antonia Wunderlich.
On The Road. San Antonio, TX: Artpace San Antonio, 2010. Includes text by Mathew Drutt and Jens Hoffmann.
Márgenes de silencio; Margins of Silence: Colección Helga de Alvear. Cáceres (Spain): Centro de Artes Visuales Fundación Helga de Alvear, [2010]. Includes text by José María Viñuela.
Arbeit / Labour: Set 7 aus der Sammlung des Fotomuseum Winterthur. Winterthur, (Switzerland): Fotomuseum Winterthur, 2011, illus. p. 10. Includes text by Thomas Steinfeld.
The Black Page. [Coxwold, United Kingdom: Shandy Hall, Laurence Sterne Trust, 2010].
IVAM / Donaciones. Valencia (Spain): IVAM, Instituto Valenciano de Arte Moderno, 2010, pp. 10, 16, 35, 394, 397, 405-406, 418, 421, 426, illus. pp. 71, 72, 73, 74. Includes texts by David Anfam, Consuelo Císcar Casabán, Fernando Castro Flórez, William Jeffett, Fumio Nanjo, Tomás Llorens Serra and Boye Llorens Peters, and Jeremy Strick.
Calder to Warhol: Introducing the Fisher Collection. San Francisco: San Francisco Museum of Modern Art, 2010, illus. p. 109.
Throwing Three Balls in the Air to Get a Straight Line. Malmö (Sweden): Malmö Konsthall, 2010, pp. 7, 8, 13, 18, 22-25. Includes essays by Dorothea Jendricke and Simon Baier.
Where Do We Go From Here? 0910: Selections from La Colección Jumex. Ecatepec (Mexico): Fundación/Colección Jumex, 2009, pp. 127-128.
2009
Pete and Repeat: Works from the Zabludowicz Collection. London: 176 / Zabludowicz Collection, 2009, p. 9 , illus. pp. 34-35.
Beg Borrow and Steal. Miami: Rubell Family Collection Contemporary Arts Foundation, 2009, p. 17, illus. pp. 25, 26-27, 28, 29. Includes texts by Karl Haendel, Thomas Houseago, David Moos, and Heidi Zuckerman Jacobson.
Art | Basel | Miami Beach | 3-6 | Dec | 2009. Ostfildern (Germany): Hatje Cantz Verlag, 2009, p. 376, illus. pp. 337, 377.
The Los Angeles Printmaking Society 20th National Exhibition. Los Angeles: Los Angeles Printmaking Society, 2009, p. 26.
See This Sound: Versprechungen von bild und ton. Cologne: Verlag der Buchhandlung Walther König, 2009, pp. 90, 126, 230 illus. pp. 91,
Rattemeyer, Christian. Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection. New York: Museum of Modern Art, 2009, illus. p. 101.
200 Artworks - 25 Years: Artists’ Editions for Parkett. Zurich: Parkett Publishers, 2009, pp. 28, 74, 76, 468, illus. pp 75, 77. Includes texts by Susan Tallman and Deborah Wye. Catalog also serves as a catalogue raissonné for Parkett Artists’ Editions.
The Making of Art. Cologne: Verlag der Buchhandlung Walther König, 2009, pp. 11-12, illus. pp. 10, 13. Includes text by Amanda Coulson, Wolfgang Ullrich, and Martina Weinhart.
Obrist, Hans Ulrich and Olafur Eliasson. Experiment Marathon. Reykjavik: Reykjavik Art Museum; London: Koenig Books, 2009, p. 58, 71, 135.
Beaufort03. Ghent, Belgium: Borgerhoff & Lamberigts, 2009, pp. 38, 62, 118, 214, 230, illus. pp. 63, 119, 231. Includes texts by Phillip van den Bossche and Luk Lambrecht.
Darling, Michael, editor. Target Practice: Painting Under Attack 1949-78. Seattle: Seattle Art Museum, 2009, pp. 45-47, 53, illus. pp. 46, 54. Includes text by Graham Bader, Michael Darling, Elizabeth Mangini, and Mika Yoshitake.
1968: Die Große Unschuld. Cologne: DuMont Buchverlag, 2009, pp. 244, 273-274, 500, 541, illus. p. 272. Includes texts by Matthias Albrecht, Roman Grabner, Christiane Heuwinkel, Thomas Kellein, Tania Müller, Daniel Neugebauer and Felicitas von Richthofen.
Eklund, Douglas. The Pictures Generation, 1974-1984. New York: Metropolitan Museum of Art, 2009, pp. 22-25, 26, 27, 28, 29, 38 40-41, 42, 54, 91, 96, 100.
Serralves 2009: The Collection: Images. Porto (Portugal): Fundação de Serralves, 2009, illus. pp. 226, 237. Includes texts by João Fernandes, António Gomes de Pinho, and Ulrich Loock.
Respina, Eva. Into the Sunset: Photography’s Image of the American West. New York: Museum of Modern Art, 2009, p. 27, illus. p. 135.
Seelig, Thomas, editor. Printed Matter: Set 6 aus der Sammlung des Fotomuseum Winterthur. Winterthur (Switzerland): Fotomuseum Winterthur, 2009. Includes text by Florian Ebner.
“La invención de lo cotidiano.” Mexico, D.F.: Museo Nacional de Arte; Ecatepec (Mexico): Fundación/Colección Jumex, 2009, pp. 58, 292, 309, illus. pp. 258, 274. Includes texts by Roger Bartra, Frédéric Bonnet, Peter Burke, and James Oles.
2008
An Unruly History of the Readymade: Sixth Reading of La Colección Jumex. Ecatepec (Mexico): Fundación/Colección Jumex, [2008], pp. 17, 25, 63, 67, 90, 94-95. Includes essays by Jessica Morgan, Mark Godfrey, Bettina Funke, and Cuauhtémoc Medina.
Wall Rockets. New York: Flag Art Foundation, 2008. Includes text by Lisa Dennison and James Frey.
BESart: Banco Espírito Santo Collection: The Present: An Infinite Dimension. Lisbon: Museu Colecção Berardo, 2008, pp. 54, 371, illus. pp. 55-57. Includes texts by Lorena Martínez de Corral and María de Corral, and Delfin Sardo.
Frieling, Rudolf. The Art of Participation: 1950 to Now. San Francisco: San Francisco Museum of Modern Art, in association with Thames & Hudson, New York and London, 2008, p. 120, illus. p. 121. Includes texts by Robert Atkins, Rudolf Frieling, Boris Groys, Lev Manovich.
Oetker, Brigitte, Christiane Schneider, and Barbara Steiner, editors. Aus der Sammlung von Arend und Brigitte Oetker. Cologne: Verlag Der Buchhandlung Walther König, 2008, pp. 138-139, 141, illus. pp. 20-21, 136-137, 138, 139, 140, 141. Catalog for the exhibition “Carte Blanche III: ‘Gedichte der Fakten’ – Arbeiten aus der Sammlung Arend und Brigitte Oetker” at the Galerie für Zeitgenössische Kunst Leipzig.
Emphasis: Santa Monica. Santa Monica, CA: Pete & Susan Barrett Art Gallery, 2008, p. 10.
Through You: Photography Selections from the Martin Z. Margulies Collection. Philadelphia, PA: University of Pennsylvania, 2008, p. 15, illus. cover.
For Sale. Lisbon: Cristina Guerra, 2008, pp. 21, 92, illus. p. 93. Includes text by Jens Hoffmann.
Glenstone: The Inaugural Exhibition. Potomac, MD: Glenstone Foundation, 2008, illus. pp. 52, 53-54, 55-56. Includes text by Yve-Alain Bois.
Kavalierstart: 1978 – 1982: Aufbruch in die Kunst der 80er. Cologne: DuMont Buchverlag, 2008, pp, 14-15, 17, 26, 30, 38, illus. pp. 54, 55. Includes text by Stefanie Kruezer, Kassandra Nakas, and Noemi Smolik.
Seelig, Thomas, ed. Jedermann Collection: Set 5 aus der Sammlung des Fotomuseum Winterthur. Winterthur (Switzerland): Fotomuseum Winterthur, 2008. Includes text by Thomas Seelig.
Phillips, Glenn, editor. California Video: Artists and Histories. Los Angeles: Getty Research Institute, J. Paul Getty Museum, 2008, pp. 4, 18, 20, 34-37, 126, 155, 204, 205, 214, 240, 243, 244, 280, illus. pp. 34-37. Includes texts by Meg Cranston, Kathy Rae Huffman, Rita Gonzalez, Robert R. Riley, Steve Seid, and Bruce Yonemoto.
Temkin, Ann. Color Chart: Reinventing Color, 1950 to Today. New York: Museum of Modern Art, 2008, pp. 168-169, illus. pp. 170-171. Includes texts by Briony Fer, Melissa Ho, Nora Lawrence and Ann Temkin.
Huldisch, Henriette, and Shamin M. Momin. 2008 Biennial Exhibition. New York: Whitney Museum of American Art, 2008, pp. 98-99. Includes texts by Henriette Huldisch, Shamin M. Momin, and Rebecca Solnit.
Art Is for the Spirit: Works from the UBS Art Collection. Tokyo: Mori Art Museum, 2008, pp. 66, 200, 247, 263, illus. pp. 67, 201. Includes texts by Joanne Bernstein, Mami Kataoka, and Pi Li.
2007
Scenes and Sequences: Peter Blum Edition, New York: Eine Auswahl von 1980 bis 2006. Aarau (Switzerland): Aargauer Kunsthaus, 2007, pp. 11, 14, 33-34, 42, illus. pp. 43-47. Includes texts by Jean-Christophe Ammann, Peter Blum, Barry Walker, and Beat Wismer.
Art for Yale: Collecting for a New Century. New Haven, CT: Yale University Art Gallery, 2007, p. 23, illus. p. 312. Includes text by Jock Reynolds.
Sounding the Subject: Video Trajectories: Selections from the Pamela and Richard Kramlich Collection and the New Art Trust. Cambridge, MA: MIT List Visual Arts Center, 2007, pp. 26-27, 54, illus. p. 55. Exhibition catalog for two exhibitions ("Sounding the Subject" and "Video Trajectories;" JB work included only in "Video Trajectories)." Includes texts by Daniel Birnbaum, Caroline A. Jones, and Mechtild Widrich.
Davidson, Susan, editor. Art in the USA: 300 años de innovación. Bilbao (Spain): Guggenheim Bilbao, 2007, pp. 238-239.
Hoffmann, Jens and Christina Kennedy, editors. The Studio. Dublin: Dublin City Gallery The Hugh Lane, 2007, pp. 12, 25, 27, 52-53, 110, 120, illus. p. 52. Includes essays by Jens Hoffman and Christina Kennedy.
Pepe Cobo Y Sus Máquinas. Zaragoza (Spain): Diputación de Zaragoza, Palacio de Sástago, 2007, pp. 18, 22, illus. pp. 66-67. Includes texts by José Antonio Chacón Álvarez, J. Félix Machuca, Javier Lambán Mantañés, and Guillermo Paneque.
Stella Art Foundation and Sigmund Freud Foundation present: The Contemporary Art Collection of the Sigmund Freud Museum, Vienna in Moscow. Moscow: Stella Kay, 2007, pp. 2, 8, illus p. 9. Includes texts by Stella Kay, Boris Manner, Peter Pakesch, Susan Schwarz, and Inge Scholz-Strasser.
Tunnicliffe, Wayne, editor. An Incomplete World: Works from the UBS Art Collection. Sydney (Australia): Art Gallery of New South Wales; Melbourne (Australia): National Gallery of Victoria, 2007, pp. 30- 33, 171, illus. p. 33. Includes essays by Jason Smith and Wayne Tunnicliffe.
2006
LeWitt x2, Sol LeWitt: Structure and Line: Selections from the LeWitt Collection. Madison, WI: Madison Museum of Contemporary Art, 2006, p. 41. Includes texts by Martin Friedman and Dean Swanson.
Schreyach, Michael, editor. Sixteen Tons. Los Angeles: Regents of the University of California, 2006, pp. 8-11.
Six Feet Under: Autopsie unseres Umgangas mit Toten / Autopsy of Our Relation to the Dead. Leipzig/Bielefeld (Germany): Kunstmuseum Bern and Kerber Verlag, 2006. Includes texts by Elisabeth Bronfen, Bernhard Fibicher, Matthias Frehner, Susanne Friedli, Helga Lutz, Thomas Macho, Hans Christoph von Tavel, and Regula Tschumi.
Public Space / Two Audiences: works and documents from the Herbert Collection: inventaire. Barcelona (Spain): Museu d’Art Contemporani de Barcelona; Graz (Austria): Kunsthaus Graz, 2006, pp. 84-89, illus. pp. 85-89. Includes essays by Manuel J. Bora-Villel, Diedrich Diedrichsen, Anton Herbert, Hans-Joachim Müller, Peter Pakesh, and Anne Rorimer.
Magritte and Contemporary Art: The Treachery of Images. Ghent (Belgium): Ludion; Los Angeles: Los Angeles County Museum of Art, 2006, pp. 12, 208-211, 243.
Wolfe, Ann M. Suburban Escape: The Art of California Sprawl. Santa Fe, NM: Center for American Places; San Jose, CA: San Jose Museum of Art, 2006, p. 21, illus. p. 24. Includes text by Lucy R. Lippard.
Newland, Joseph N., editor. The Skowhegan School of Painting and Sculpture: 60 Years. Waterville, ME: Colby College Museum of Art, 2006, pp. 62-63.
Bowman, Rob and Jens Hoffmann, editors. Surprise, Surprise. London: Institute of Contemporary Arts, 2006.
Walker, Barry. Singular Multiples: The Peter Blum Edition Archive, 1980–1994. Houston: Museum of Fine Arts, Houston; New Haven: Yale University Press, 2006.
Joy Pop! Pop Art 1960’s-2000s: From Lichtenstein, Warhol to the Current Generation. Tokyo: Sieji Togo Memorial Sompo Japan Museum of Art, 2006, p. 28.
Broken Surface. Munich: Sabine Knust Mattias Kunz Editions, pp. 8-9. Includes texts by Zdenek Felix.
Grenier, Catherine, editor. Los Angeles 1955-1985: Birth of an Art Capital. Paris: Centre Pompidou, Panamamusees, 2006, pp. 14, 26, 27, 39-40, 81, 90, 125, 209, 219, 238, 277, 283, 294, 306, 325, 338, 355, 365, 370, illus. 123, 182, 183, 206, 213, 228, 246-247, 267, 272-273, 315, 331, 353, 366-367. Includes texts by Howard N. Fox, Catherine Grenier, and David E. James.
Freud and Contemporary Art: The Collection of the Sigmund Freud Museum Vienna. New York: Austrian Cultural Forum New York, 2006, pp. 3, 4, 10, illus. pp. 11, 44. Includes texts by Peter Pakesch and Inge Scholz-Strasser.
2005
Hablando Con Las Manos: Fotografías De La Colección Buhl, Essays by Jennifer Blessing and Ralph Rugoff, Solomon R. Guggenheim Foundation New York, and Guggenheim Bilbao Museoa, Pp. 146 — 147, 2005
The Blake Byrne Collection, July 3 — October 10, 2005, Interview with Blake Byrn with Ann Goldstein and Paul Schimmel PP 8 - 15, and text by Michael Darling PP 16 — 25. The Museum of Contemporary Art, Los Angeles, 2005, illus. 16, 29
Los Angeles Printmaking Society 18th National Exhibition, Armory center for the Arts, Two Hands Press, Woddlandhills, CA. Castle Press, Pasadena, CA, 2005, Pp. 5-6
Drawing from the Modern 1975 - 2005, September 14, 2005 — January 9, 2006, Museum of Modern Art, New York, NY, Published by the Museum of Modern Art, 2005, illus. P.27
Open Systems: Rethinking Art c. 1970, June 1 — August 29, 2005, Edited by Donna De Salvo, with Contributions by Johanna Burton, Makr Godfrey, and Boris Groys, Tate Modern, London, 2005 illus. Pp. 45, 70 - 71, 105, 142 - 145.
Daumen Kino, The flip Book Show, May 7 — July 17, 2005, Kunsthalle Dusseldorf, Germany, illus. 57, 139
Logical Conclusions: 40 Years of Rule-Based Art, February 18 — March 26, 2005, PaceWildenstein, New York, Texts by Marc Glimcher. PP 86-89, 168, 182, illus. 87, 89.
A Walk to Remember, Los Angeles Contemporary Exhibitions, February 9 — May 8, 2005, Curated /Published by Jens Hoffman, 2005 Pp. 14 — 15, 34 — 35.
2004
The Eclectic Eye: Selections from the Frederick R. Weisman Art Foundation, With essays by Rosalind Bickel, Richard Koshalek, David S. Rubin, Kimberly M. Stammer and Billie Milam Weisman, Frederick R. Weisman Philanthropic Foundation, 2004, PP 34-35, illus. 35.
Beyond Geometry: Experiments in Form, 1940s — 70s. Los Angeles County Museum of Art, Los Angeles, CA, and The MIT Press, Cambridge MA, 2004. P 216, illus. 176.
What’s Modern?, November 5 — December 18, 2004, Gagosian Gallery, New York, NY, published by Gagosian Gellery, 2004, Pp. 60 — 61.
American Artists’ Books in Europe, 1960 — 2000, Musee d’Art Americain Giverny, Giverny, France / Terra Foundation for the Arts, 2004. PP 14-15, illus. 14.
Moss, Karen, ed. Topographies. With guest essays by Steve Dietz, Jeannene Przyblyski, and Noah Snyder. San Francisco Art Institute, 2004.
Groos, Ulrike; Hess, Barbara; Wevers, Ursula; ed., Ready to Shoot/Fernsehgalerie Gerry Schum/videogalerie schum, texts by Beatrice von Bismarck, Eric de Bruyn, Ulrike Groos, Charles Harrison, Barbara Hess, and Ursula Wevers, interview with Friedrich Wolfram Heubach, Kunsthalle Dusseldorf, 2004, English edition. PP. 236-237, illus. 237.
Singsen, Judith A., The RISD Museum, ed., On The Wall: Contemporary Wallpaper, texts by Marion Boulton Stroud and Judith Tannenbaum, Museum of Art, Rhode Island School of Design, Providence; The Fabric Workshop and Museum, Philadelphia, 2003, PP. 2, 4, 6, 11, 12, 26, 27, 44, 47, 50, 51, illus. 6, 11, 12, 51, front and back cover.
Behind the Facts. Interfunktionen 1968-1975, Joan Miro Foundation. Parc de Montjuic, Barcelona, Spain. February 19 — May 2, 2004.
QSL 107.1 FM, A temporary radio project and audio publication. Broadcast May 30-31 2004. Middlesbrough, Victoria Square. A project by Kelly Large hosted by Middlesbrough Institute of Modern Art (mima). Pp. 21. Includes compact disc.
2003
Ferris, Alison, ed. Disembodied Spirit. With essays by Tom Gunning, Pamela Thurschwell and Alison Ferris. Bowdoin College Museum of Art Brunswick, Maine. September 25 — December 7, 2003. Traveling to Kemper Museum of Contemporary Art, Kansas City, MO. March 5 - May 23, 2004 and to Austin Museum of Art, Austin, TX. September 11 — November 28, 2004
Through American Eyes: Two Centuries of American Art from the Huntington Museum of Art. Huntington Museum of Art, Huntington, West Virginia, 2003.
Imperfect Innocence: The Debra and Dennis Scholl Collection. Contemporary Museum, Baltimore, Maryland, 2003, illus. 44-45.
Coco Fusco and Brian Wallis, ed. Only Skin Deep: Changing Visions of the American Self. International Center of Photography. Published by Abrams, Inc.
De Jasper Johns a Jeff Koons: cuatro decadas de arte de las colecciones Broad. Guggenheim Bilbao, in collaboration with Henry N. Abrams, Inc., Publishers, 2003. This is Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collections, 2001, translated into Spanish. Texts by Thomas Crow, Joanne Heyler, Pepe Karmel, and Sabine Eckmann. Illus: pp 188-193; back cover.
2002
Biesenbach, Klaus, with Barbara London and Chistopher Eamon. Video Acts: Single Channel Works From the Collections of Pamela and Richard Kramlich and New Art Trust. P.S. 1 Contemporary Art Center, Long Island City, NY, 2002.
Comer o no Comer (To Eat or Not to Eat), Salamanca 2002, Centro de Arts de Salamanca, Spain, November 23, 2002 — January 19, 2003, Pp. 348, 349, 521 illus. 349.
Limits de la Percepcio. Fundacio Joan Miro, Barcelona, Spain, 2002, catalogue essay by Teresa Blanch, illustrations pp 28 — 33, back cover.
Conceptual Art in the Netherlands and Belgium 1965-1975. Stedelijk Museum Amsterdam, and Nai Publishers, Rotterdam, the Netherlands, 2002.
Smith, Elizabeth A.T., Alison Pearlman, and Julie Rodrigues Widholm. Life, Death, Love, Hate, Pleasure, Pain: Selected Works from the Museum of Contemporary Art, Chicago, Collection. Museum of Contemporary Art, Chicago, 2002. Pp 24, 178, 182, 198-199, 241, 320. Illus.: pp198-199.
Some Assembly Required: Collage Culture in Post-War America. Everson Museum of Art, Syracuse, NY, 2002. Illustration, p 66.
Sans Commune Mesure: Image et Texte dans l’Art Actuel. Editions Leo Scheer, Paris, France, 2002. Illustration: pp 74-75.
To Be Looked At: Painting and Sculpture from The Museum of Modern Art, New York. MoMA QNS, June 2002. Illustration, p. 108. Published on the occasion of an ongoing installation of works from the Museum’s collection in Long Island City, while the MoMA Manhattan location is being renovated.
A Show That Will Show That a Show is Not Only a Show. Edition Valerio, Paris/Berlin, and the Project, Los Angeles, 2002.
Visions from America: Photographs from the Whitney Museum of American Art, 1940-2001. Whitney Museum of American Art and Prestel Verlag (publishers), New York, 2002.
The Shock of September 11 and the Mystery of the Other: A Documentation. Haus am Lutzoqplatz and Lettre International, Berlin, Germany, 2002. John: p 189.
Museum Unserer Wunsche (Museum of Our Wishes). Edited by Kasper Konig, in collaboration with Thomas Weski and Ulrich Wilmes, Museum Ludwig, Koln, Germany, January 11 — April 28, 2002.
Pulchierrimae Strade: Contemporary Art in Historical Spaces. Edited by Gianni Salvaterra, texts by Gianni Salvaterra and Robert Rosenblum, Edizioni Charta, Milan, Italy, 2002.
2000
The First Decade: Video from the EAI Archives. Museum of Modern Art, New York, NY. February 26 — March 17, 2002.
Conception: Conceptual Documents 1968 to1972. Norwich Gallery, Norwich School of Art and Design, Norwich, England, and Article Press, Birmingham, England, in an edition of 1000. 2001.
Made in California: Art, Image, and Identity, 1900-2000. University of California Press, Los Angeles, CA, 2001, p 199. This was accompanied by a second volume, "Reading California: Art, Image, and Identity, 1900-2000."
Reading California: Art, Image, and Identity, 1900-2000. Edited by Stephanie Barron, Sheri Bernstein, and Ilene Susan Fort, University of California Press, Los Angeles, CA, 2001, pp 280-283. Anthology published on the occasion of "Made in California".
Landmarks: Sculpture Commissions for the Stuart Collection at the University of California San Diego. Rizzoli International Publications, Inc., New York, 2001.
Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collections. Los Angeles County Museum of Art, Los Angeles, CA, 2001.
24th International Biennial of Graphic Arts. Museum of Modern Art, Ljubljana, Slovenia, June 10 — September 16, 2001.
Noncomposition: Fifteen Case Studies. Wadsworth Athenaeum Museum of Art, Hartford, CT, December 22, 2001 — June 23, 2002.
Tele[visions]: Kunst Sieht Fern. Kunsthalle Wein, Wein, Austria, October 18, 2001 — January 6, 2002.
Extra Art: A Survey of Artists’ Ephemera, 1960-1999. California College of Arts and Crafts, San Francisco, CA. October 11 — December 8, 2001.
Peter Kneubuhler: Gut zum Druck. Helmhaus Zurich, Zurich, Switzerland, 2001.
Secession: Projekt Fassade. Texts by Matthias Herrmann, Isolde Charim, Eleonora Louis, Secession, die Kunstlerlnnen, Sutorinnen, Fotografen, Wein, Austria.
2000
Departures: 11 Artists at the Getty. Text by Lisa Lyons, The J. Paul Getty Museum, Los Angeles, CA, 2000.
Lynn Gamwell, ed. Dreams 1900-2000: Science, Art, and the Unconscious Mind. Texts by Lucy Daniels, Ernest Hartmann, Donald Kuspit. Cornell University Press, New York.
Quartett: August 1968 September 2000 Baldessari, Kabakov, Kosith, Pistoletto. Schwabe & Co. AG, and Verlag Basel Kunsthalle Basel, 2000. With texts by Peter Pakesch, John Baldessari, Ilya Kabakov, Joseph Kosuth and Michelangelo Pistoletto.
http://www.baldessari.org/catalogues_group.htm